Hey Hey We’re the Monkeys from Kasey Robinson on Vimeo.

View all the pics here.

There is a Pirate Theme Going on

Pirate Theme? Doesn't he remind you of the Black Pirate in the Princess Bride?

Went to the Hillsong United concert tonight with our worship arts peeps. After a trip to Walmart and two $.88 ponchos, Cassie and I were prepared for rain – after all, it did rain all day. But right before the concert, there was a break in the clouds and the rest of the night we had great weather.

Worship vs Concert

I always have struggled with the term “Worship Concert.” Worship, in a church context is worth directed toward God. Concert says entertainment.

If you were to look up the word “entertain” you would see it’s definition as “to hold the attention of.”

Tonight I sang loud.

I stood. I sat. I took pictures. I cried. I shouted. Not to those on stage. But to my God.

Redefined

Tonight, I redefined “Worship Concert” as I joined the rest of the Church to keep God’s attention.

Pics

Four Weekend Programming Elements

Westside’s 4 Weekend Elements from Kasey Robinson on Vimeo.

1. Teaching
2. Worship
3. Information
4. Connection

Didn’t turn out too bad.

Dynamics Explained

First, let me explain what I mean by dynamic. Dynamics refer to the emotional space of a song. The energy, intensity, and form that the music takes.

Creating dynamics in a song means that you let that song take you on a journey.

Song Sets with Dynamics

A lot of church worship teams do a great job in creating dynamics in the set. They will have a strong and fast song, followed by a medium tempo song with not as strong of a feel and progress to a soft and slow song. If they are a progressive church (I say that with the intention of humor) then they might end with a strong and fast song again.

Songs with Dynamics

Sets with dynamics, though, are not as strong as songs with dynamics. A song that takes you on a journey is priceless in a worship set. Teams that can build and tear down a song will be able to engage the congregation in a more creative fashion.

Our Music Director, Jason Mills, is a genius at crafting a song’s dynamics. A couple of things he emphasizes are:

• Not everyone has to play all the time. Use the time to add instruments and build dynamic by inserting and taking away musical lines. (I.E. start the song with high-hat, acoustic. Then add the bass and electric on the climb or the first time through the chorus.)
• Don’t feel pressure to play “all out” at the first Chorus. I hear a lot of teams start a song and the first chorus is as loud as every other part of the song. Or they start the verse soft, then Bang! there’s the chorus. Use the time to build.
• Find your instrument’s space. This means that you listen to what other’s are playing and find how you can compliment what they are playing in a different musical space. For instance: An acoustic guitar who is playing the rhythm with strong chords could be complimented by an electric guitar finding a space an octave above the Acoustics notes and play a melodic line. The idea is to compliment what others are playing.
• Less is More. Drummers – You don’t have to hit everything just cause you have it. Bass players – Simple is most of the time more effective. Keys – compliment don’t drive. Electric Guitars – It’s cool you can play blues scales, but I don’t want you to put it every song solo. Less is More!

Plan Ahead

Most teams never reach their full potential because they don’t plan ahead. If you are the director of your band, think about the integrity of the song ahead of time. Ask:

Who will be the lead instrument?
How can we be creative with the dynamics?

If you are a musician. Rehearse your songs and practice ahead of time. If you know you won’t be carrying the lead, anticipate what others will be playing and think about what space could be filled with your instrument.

Little things like this will raise your level of execution!

Great idea and well done Craig!